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Body Language

Posted on July 16, 2010

Ralph Fiennes as Francis Dollarhyde, aka the Red Dragon, hastens, naked and tattooed, down a flight of stairs, his johnson wagging in every direction as if sketching an imaginary landscape. It’s like a character all its own in this scene, Fiennes’ member, with its own momentum and its own agenda (getting ready for the starving artist’s show in the lobby of the Marriott) and most likely its own spot in the end credits. I don’t know about the latter. I didn’t stay long enough to find out. There are some things you just don’t want to know about your friends, like the maximum circumference their penis can chart.

My friendship with Fiennes began the way most friendships begin, as a mere idea hatched in Jane Austen’s drawing room. “Take a turn about the room with me, my dear Margaret,” I said to my other friend who is not Ralph as I latched an arm around hers.

Read the rest at The Nervous Breakdown and take a gander at this photo a bartender in a Galway pub took of Margaret and me, plotting mischief, days from the “Ralph incident” and therefore still smiling:

mags and me
Categories: Creative Non-Fiction

Tagged: Chawton, humor, Jane Austen, Ralph Fiennes, Richard II, Shoreditch, The Red Dragon

Mea Culpa from Mel Gibson’s Mullet

Posted on July 15, 2010

Just like pretty much everyone, I was all over this guy in the late ‘80s.

+Read more

Categories: Creative Non-Fiction

Deep Pockets

Posted on July 13, 2010

Garage-sale variety olive-green corduroy, elbow patches, hems too short. His jacket pocket produced answers one afternoon like strips of paper from cracked fortune cookies. The pocket on the right, to be exact. It had been an ordinary jacket, but then as he stood on the corner of Huisache and Market Streets, angled toward the vast parking lot and pausing to pinch the bridge of his nose, eyes closed, he was thinking,what the hell have I done? And the second he jammed his hands into his jacket pockets the right one answered with a small paper ribbon lapping at his knuckles. He thumbed it free. Unfolded it. You have made an ass of yourself, it read in the small, even print of capital letters. At first, he’d thought announcing a weight-loss competition for the women of his office had been a good idea. Now his pocket confirmed what the sick sprawl in his ribs and Annette Demarcolo’s middle finger had told him already. It was not.

Read the rest of “Deep Pockets” at Fictionaut.

Categories: Fiction

Tagged: Cynthia Hawkins, dark humor, Fictionaut, flash fiction

How To Train Your Movie Critic

Posted on July 1, 2010

just the two of us

Meet Hannah, the only kid I know who takes notes in movies.  As bad as I am now, in terms of movie nerd-dom, she’s destined to be three times worse.  I recently took Hannah, who has quickly become “Avatar: The Last Airbender” obsessed, to a screening of The Last Airbender and asked her a few questions afterward to get a feel for the differences between the series and the film.  You can find our conversation below and my review of The Last Airbender at The Nervous Breakdown.

Cynthia:  So, what did you think?

Hannah:  I really don’t like that a fish died.

C:  Does a fish not die in the series?

H:  He turned into that little circle of peace thing.  What’s that circle of peace thing with the two parts?

C:  You must mean yin and yang.

H:  Yeah, yin and yang.  That’s what it did in the series, but —

C:  But we don’t want to give anything away for people who want to see it.  So you’re saying that scene wasn’t like the series.  What else wasn’t like the series?

H:  Um …

C:  Without giving things away.

H:  Well, Prince Zuko only had a small scar.  It didn’t really look burned like it looks in the series.

C:  His scar wasn’t prominent enough in the movie?

H:  No.

C:  Okay, but this sounds like you’re just finding little things that are different. What about the story, the overall story and what happens?

H:  Well, usually their visits to the different villages take a bit longer.  I was surprised the movie went by really fast.  A lot faster.

C:  And the big battle in the end – does that happen in the series?

H:  No.  That doesn’t happen.

C.  Oh.  Really?  That doesn’t happen at all?

H:  No …. Well.  I haven’t watched it all.

C:  So tell me what you’ve watched.

H:  I’ve watched all of Book One except the last episode.*

C:  So you haven’t gotten there yet.  It could still happen.

H:  Yes.  Probably.

C:  So what did you think of all the characters?  Were they what you expected?

H: The brother was a little different than I expected.

C:  Yes, he was quite serious in the movie.

H:  Yeah.  He was more serious.  And also when he met the princess, she was engaged.

C:  Oh.  So there was a lot more story to it.

H:  Yes.

C:  Well, sometimes they can’t put everything in because then it’d be six hours.

H:  But that’d be okay.

C:  What about Aang?

H:  Oh, well, in the series his name is …

C:  They pronounce it “ayng” in the series but “ahng” in the movie, but it’s the same name.   I really liked him in the movie.  I thought he was super cute.

H:  Actually, I like him better in the series.  I think he looked better animated than in real life.

C:  Really?  Why do you think so?

H:  I don’t know. He just does.

C:  Interesting.  You know what?  I liked him far better in the movie than in the series, because in the series he’s a little bit … obnoxious.  A lot obnoxious.  He’s not obnoxious in the movie at all.  He’s really sweet.  What do you think?

H:  Yeah.  I think he might have been sweeter in the movie, and in the series he gets fussy sometimes and I don’t really like that.

C:  You were telling me something about that earlier, that you thought he could be a real big brat.

H:  Yes!

C:  In the series, you said he did things like withheld information from the others that was really important.  Things like that.

H:  He did that several times.  I think because in the series, it’s longer than the movie.  If they don’t have time to explain him, then you just wouldn’t like him when he does things like that.

C:  So, right after the movie, you turned to me and made the “so-so” sign with your hand. Why did you do that?

H:  It was kind of iffy in some parts.

C:  Why?

H:  There were things that weren’t in the movie that were in the series that I missed.

C:  A lot of things or just some things?

H:  Just some things.

C:  Overall, would you recommend it to someone who already likes the series?

H:  Yes!

C:  Why?

H:  Well, if I could forget about the iffy parts, then I would recommend it because it really is a very good movie.  Is that it?  Because I wanted to say something else.

C:  Sure.  Say something else.

H:  I liked Appa, the flying bison.  He looked exactly the same.  And the special effects for Appa were really good.  Okay.  That’s it.  Hannah out.

*Hannah watched the last episode of Book One the day after this exchange and reported, aghast, that, “There is no big wave!”

Categories: On Movies, Uncategorized

Tagged: "Avatar: The Last Airbender", M. Night Shyamalan, The Last Airbender

Please Give

Posted on June 21, 2010

Sarah Steele and Catherine KeenerFellow San Antonians:  Nicole Holofcener’s film Please Give is now playing in our area, and if you missed my review of it at The Nervous Breakdown you can still read it right here.

Categories: Uncategorized

Too early in the morning to be LOST

Posted on May 24, 2010

You know what I’m doing at 5 am?  Not sleeping.  Like I haven’t been sleeping for the past hour and only intermittently for hours before that.  You know why?  Because when I have been sleeping I’ve been dreaming that my life is not real, that I’m in a “sideways” kind of Matrixy/Sixth-Sense purgatory trying to work it all out.  Thank you “LOST”!

That said, I’ll weigh in on the series finale (spoilers aplenty).  I would just like to take a moment to tell my husband I was SO right.  “You aren’t going to learn any more about the island than you already know,” I said to him hours before the finale began, “So, move on.”  And it would seem moving on was the whole theme.  What we thought was an alternative reality perhaps created by Jughead’s explosion turned out to be a waiting place for the afterlife in which everyone needed to find enlightenment – in other words, their memories of their real lives.  Aptly named (if not comically, as Kate pointed out) Christian Shepherd fills Jack in:  Jack’s dead in this alternate world as is everyone else.  Some of them died before Jack, others after.  The island was real for all its wonkiness, and these are the people who’d meant the most to each other in life from the gravity of their experiences together.  I’m guessing Hurley and Ben lived awhile after Jack as the new caretakers of the island since they indicate as much to each other:   “You made a great number two,” “and you were a great number one,” and so forth – and no I’m not going to make a bathroom joke.  You go right ahead.

Did the plane make it?  Let me tell you something.  The only thing that can survive a submarine blast, or any kind of doomsday scenario, are the cockroaches and crusty codger Frank Lapidus.  In any kind of disaster, I want to be standing right beside that man.  Can he fly that plane off the island?  With a little duct tape, hell yes!  He’s Frank Lapidus!  But does it make it?  Kate tells Jack in sideways afterlife, “I’ve missed you so much,” which would seem to indicate that she spent enough time to “miss him so much” after leaving him on the island.  But then again, when Claire gives birth to Aaron in sideways afterlife (gah!?) this seems to be the big reunion with him she’s been waiting for since being separated from him on the island, as in perhaps she doesn’t make it back to reunite with three-year-old Aaron in real-world L.A.

Okay, okay, probably none of this is new or insightful and there are a plethora of more detailed, more wonderful blog posts regarding the “LOST” ending … but it’s five a.m., and I’m thinking aloud!  Cut me some slack here.  I did love this as a last episode, though.  I love that just when I guessed what’s coming next I was surprised.  And I thought no one could ever pull a Sixth-Sense on me again.  The fact that Lindelof and Cuse managed to?  Brilliant.  Now shoo so I can get some sleep.

Categories: Uncategorized

Tagged: ABC, Carlton Cuse, Damon Lindelof, Frank Lapidus, Jack, Lost, Lost finale, The Sixth Sense

If the Shoe Fits …

Posted on May 23, 2010

So, my latest at The Nervous Breakdown, If the Shoe Fits …, was inspired by two things:  my surprisingly impulsive denial after a friend said to me, “Oh, I didn’t realize you were that into Star Trek” and then my daughter announcing the other day, “My mind is full of logic, like Spock,” while making the shape of a heart with both hands.  I thought it’d be funny to discuss the ways in which Star Trek intersects with everyday life while at the same time trying to pretend it doesn’t.  Hopefully I pulled it off, and if I didn’t you can just enjoy this photo I’ve titled “Damnit Jim!”:

broken jim
Categories: Creative Non-Fiction, On Movies

Tagged: Captain Kirk, Spock, Star Trek, The Nervous Breakdown

Guidelines for the Movie-Trailer Illiterate Hereafter Referred to as “Joe”

Posted on May 14, 2010

Now at The Nervous Breakdown, my essay on preserving the integrity of my Netflix queue:

Mine was the first family on our street to own a VCR.  I’d walk the neighborhood kids in and show them the buttons on the player the size of an industrial microwave oven.  “We can record stuff on T.V.,” I’d explain, head cocked back with the smugness of a Scorcese gangster, “and play it back.”  The irony being we had nothing to record, although we had found an airing of Nighthawks on a Saturday matinee.  We were the first with a VCR, but the very last with cable.  Dad was holding out on principle.  “Pay for television?  Only a fool would pay for something that you should get for free,” he’d say before queuing up Nighthawks.  Again.

Radio Shack was the only place we could rent movies after an extensive application process that delved back three generations and required your home, wrist watch, and teeth fillings as collateral.  It wasn’t long before we’d gone through all ten titles in stock, half of which starred Don Knotts.

“All right,” dad said one afternoon as the near-useless VCR sat, staring back at him, big-buttoned in silent mockery.  “We’ll do it.”  And he didn’t mean we’d be getting cable.

Back we went to Radio Shack where he planned to shell out the $100 required for buying a movie on VHS.  One we could keep forever and shove under the noses of the neighborhood kids!  Except mom and dad bought the Jane Fonda Workout.  I dragged my hand all the way down the banister to the parking lot in protest and accidentally cut my finger on a rusty nail.  I had to get a tetanus shot because of Jane Fonda.

At any given moment in my house for months, you could walk through my living room and find someone doing butt squeezes with Jane in her belted leotard.  And I’ll tell you something no one outside of my family has ever known.  My dad owned silver tights for the purpose.  (I mean really, dad, one-hundred bucks on Jane Fonda when Cannonball Run was sitting right there on the shelf next to it?) read more here

Categories: On Movies

My Life in Celebrity Hair (it helps if you squint)

Posted on May 10, 2010

three stooges

The Farrah Fawcett.  Circa “Charlie’s Angels.”  This was my first celebrity haircut.  I remember it quite clearly – shuffling into the salon with its white-painted trellis dividers between stations, the brown and green mushroom-print wallpaper behind domes of the hair dryers, and the pendant lights hanging from gold chains over each swiveling seat.  There is only one person whom a female of any age walking into this very setting could possibly ask to resemble by the time she walks out of it.  No matter the time period.  Farrah with her perfectly sun-streaked blond wings and fat ringlets cascading past the shoulders.  I asked for just that as I scooted back onto the booster in the chair and stretched my neck to accommodate the cape covering up my corduroy jumpsuit with a swoosh of sound.  My mom, however, leaned to whisper into the hair-stylist’s ear a suggestion that I can reasonably speculate to have been: “Actually, I was thinking of something a little more Three-Stoogy.”

eddie

The Kristy McNichol.  Circa Little Darlings.  I wasn’t even allowed to see it, but that didn’t mean I couldn’t try for my own version of prepubescent sexpot.  I mean, where else does one go when you’ve started with Farrah?  Apparently, the stylist thought one goes with Eddie Van Halen.

boozy soccer mom

The Barbara Carrera.  Circa Condorman.  Aka the Natalia.  Aka the movie no one else saw with the character no one else asked to look like.  Which explains the ambiguous nature of this haircut.  Does it want to be a mullet?  A pixie?  A shag?  How about all of the above just to cover all the bases?  Surely, in some way, from one angle or another, it resembles the wavy, flowing tresses of a vaguely-Eastern-European super spy.  I went to Whataburger right after this picture was taken at age eleven and got mistaken for a boozy soccer mom at the mustard and ketchup station.

molly

The Molly Ringwald.  Circa Sixteen Candles.  It would be many years before the Ringwald effect released its firm grip on my locks.  It never occurred to me that I was modeling myself after the girl most likely to be viciously snarled at by boys named Stefan.  Though if it hadn’t been the haircut that put me in similar standing in middle school, surely it would have been the hubcap-sized homemade Oreo Darla Myer had unveiled from the lunch bag she’d snatched out of my hands.  That thing was on display in the school cafeteria until it petrified.  Thanks mom!

mystic

Julia Roberts.  Circa Mystic Pizza.  Okay, so I got a little carried away.

Julia 1

Julia Roberts.  Circa Pretty Woman.  Julia had once steered my early John Hughes teen-hood into all-I-need-is-a-six-pack-and-a-smile territory.  How could I abandon her on my special day?

Julia 2

Julia Roberts.  Circa Dying Young.  I see this hair, and I hear Kenny G.

hook cut

Julia Roberts.  Circa Hook.  This would be the “career ender” cut.  The woman chops it off to play Tinker Bell and somehow this means she’s entered loony-town, never to return?  I was so incensed with the backlash that I stood in solidarity with a Hook-chop of my own.  And by that I mean I followed suit before I was aware that everyone else thought this was the worst haircut possible.

Blue

The Juliet Binoche.  Circa Blue.  On her it looks French chic, on me it looks like I’m finally growing out that bowl cut from kindergarten.

astronaut's w

The Charlize Theron.  Circa The Astronaut’s Wife.  A professor of mine at the time told me the quickness with which I changed hairstyles indicated that I was uncertain of my own identity.  But he was just saying that because he didn’t know me during the very long period I was certain I was Julia.

pulp fiction

The Uma Thurman.  Circa Pulp Fiction.  For one brief Halloween I achieved a look with a Betty Page wig and some Vamp nail-polish that, to this day, I would love to pull off full-time.  You know, taking the girls to school, going for a jog, giving “Eye of the Tiger” my best church-lady vocal on Rock Band.  All that’s missing is the five-dollar shake.  And a syringe in the chest.

Categories: On Movies

Smaller in Person

Posted on April 26, 2010

New nonfiction story out this month, excerpted in ESPN the Magazine and appearing in full in Stymie Magazine:

I see myself in the glass first.  Gestalt glints of eyes, nose, and chin.  Sloping span of narrow shoulders.  My body superimposed over the skirted baseball uniform Madonna wore in A League of Their Own.  It squares across my reflection like a little emblem on my shirt.  Madonna is a tiny person.  I ask my husband Joe standing beside me, “Do you ever wonder why so many famous people are so little?”  At Planet Hollywood once I’d put my hand against the impression of Arnold Swarzennegger’s hand, and my fingers had overran the length of his.  I’d squinted in thought, feeling the grooves of the print against my palm as if tracking a little capuchin monkey.  Still warm, maybe twenty minutes ahead, about six months old, just handled a radish – he went that way.

“Napoleon complex,” Joe says in hush befitting the dim lit passages of the Baseball Hall of Fame in Cooperstown.

“The whole being-small-drives-them-to-be-larger-than-life thing.”  I suck my teeth, shake my head.  No, it’s a cliché – the Napoleon complex.  It’s a running joke.  There must be some other explanation I just can’t quite work out at the moment.  I’m relieved, as I shuffle aside with the small crowd just a little further down the display, to find Gina Davis’ uniform would fit me perfectly.  “Ooh!” I zero in on the Wonderboy bat from The Natural and take another big side step in its direction.  My hand sprawls greedily across the glass. Read more in the Spring/Summer 2010 Issue Here

Categories: Creative Non-Fiction

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