The text for the following short film can be found here at The Nervous Breakdown.
Tagged: record collecting, short film, vinyl
The text for the following short film can be found here at The Nervous Breakdown.
Tagged: record collecting, short film, vinyl
So, while just about everyone else has moved on from “Lost,” I have been watching it all over again after getting the complete blu-ray set as a birthday present. Fortunately, a viewing in hindsight means I can watch without obsessing over the meaning of such things as the strange warble in the musical score or the placement of the Dharma canned apricots besides the vat of mayonnaise. But there was a time when the following imagined auction items could very well have been mine (inspired by the actual “Lost” auction held recently): “Lost” Fan’s Own “Lost” Auction Items, at The Big Jewel.
Two-dozen little shoe soles squeaked and squelched across the linoleum of the hallway. The teacher at our church school, leading the way, walked backwards for a few steps, winding the cord of her whistle around her finger. The whistle clacked against her rings. She pivoted to lead us into the library, and the squeaks turned to shuffling on the carpet in the dark. We could see the shapes of things we moved between – tables and shelves. We could see the projector and the screen, and with a click of sound the screen held a square of light and the square of light held our moving shadows. When we lowered to sit on a cleared space on the floor, there was a tingle at my fingertips that traveled all the way up my arm, across my chest, buzzing in my rib cage. A movie.
Last time, we’d watched a teeny tiny animated submarine chugging through the currents of somebody’s animated blood stream. The time before that, Ben Hur (anything featuring Charlton Heston in man-sandals was a winner here). And before that, a cartoon tooth demonstrating how to brush himself. It didn’t really matter to me what it was. I could be in class braiding the strips torn off the edges of spiral notebook pages or I could be sitting here watching the film threading through the projector and producing dark blips on the screen. I loved the blips and I loved the pop of sound coming on and I loved the rapid clacking of the reels as the film, whatever it was, began in earnest.
Today, it was something quite different, as the teacher with her hand overlapping the other in the projector stream had told us ….
Read the rest here.
Tagged: 2012, 9, disaster films, Legion, Terminator Salvation, The Nervous Breakdown, The Road
Dear horror films: I’m just not that into you. It’s not so much about what you do or don’t do but just … you. In general. And I mean the “you” of the last thirty years. I really loved you in your younger years, but my how you’ve changed. Like, I don’t even recognize you anymore. Maybe we can just agree to disagree about your merits and go our separate ways for now. Here’s a list at The Nervous Breakdown of other chill-inducing films I’ll be spending my Halloween with instead: Halloween Lite: Same Great Taste, Less Eye Rolling.
Just what you’ve been waiting for. TNB’s Simon Smithson and I wrap-up our exploration of ’80s action movies with a chat about the Sylvester Stallone action-hero round-up that is The Expendables. Read it here.
The Nervous Breakdown’s Arts and Culture Associate Editor Simon Smithson and I recently discussed Smithson’s favorite genre, ’80s action films, for a new TNB post you can find right here.
Here’s a little of what I have to say about what makes this era of action film unique:
“’80s action flicks were equal parts mullet, saxophone, slip-on shoes, and kicking ass. But more importantly, I think what seems to set the ’80s action flicks apart as a golden era is that they departed from the gritty realism of the ’70s action flicks and took action movies over the top. Everything was bigger and flashier — the actors, their personalities, the explosions. The same thing was happening in music as well, if you think about it. It’s like going from Boston to Motley Crue.”
Stay tuned for a part II on The Expendables.
I took a trip to the Texas coast (a place I’d gone every year when I was little) mid-summer when no one was sure if the Deepwater Horizon oil spill would reach the shores here or not. They’d thought they’d found the first signs of its impact while we were there. It got me thinking, though, that even on a much smaller scale the oil industry had left its mark on this region long before. So, I wanted to write about it, but I wanted to do so without a lot of commentary, just imagery. And here it is:
From “Breaking News”:
Our car ticks over the seams in the bridge that extends to the island. My husband drives. My nine-year-old daughter and I stretch our necks to peer down at the waves making the buoys sway. Our foreheads press to glass. Wondering if it smells like sea salt, my daughter rolls down her window. A sulfurous gust knocks her hair from her shoulders before she rolls it back up.
“Gross,” she says with her nose scrunched.
Oil refineries spit white plumes just behind us.
* * *
The breaking news informs us that fifty-four days into the Deepwater Horizon oil spill, a tar ball has been plucked from the sand stippled with cigarette butts and pull-tabs a few miles down the beach from where we’re staying.
“Authorities say this will be tested,” the reporter explains, “to see if it came from the Deepwater incident or if it’s one of the usual tar clumps.”
It’s smaller than the usual, though, he notes. “Maybe its small size is a good indication,” the reporter adds, “that if it is from the oil spill this will be the extent of it.”
* * *
Drilling platforms in the distance seem to join the sea and sky like black stitches on the horizon.
“So pretty at night when their lights twinkle, though,” I exhale as we tromp down sand-dusted wooden steps angling out of the dunes and down to the beach.
Read the rest here.
Tagged: flash nonfiction, oil spill
When Jim first handed me the cleaned-out coffee can with all of my pieces inside I bit down on one like a prospector testing gold. The feel of Scrabble tiles without the letters, the heft of bone, each one a variant shade of beige. My tongue assessed the fine grit of something vaguely tasting of shoe sole.
“Don’t eat it!” Jim said.
“I’m not eating it.” It left a tinge of worn leather on my lips, and then I set the square back down.
“Why would you do that?” he asked.
“I’m not eating it. I’m not doing anything.” Just like I hadn’t been nudging my fingernail into a piece of stale gum, right at that very moment, stuck under the tabletop and relishing the way the gum softened its resistance. Which I had been. “So. What is it?”
Read on at Fictionaut.
… that I’m late in posting here. First, I offer a few alternatives to the late-summer, early-fall movie slump that plagues us each year in Watch This, Not That. Then, after seeing Inception no less than three times (so far), I’ve finally figured it out: there is no figuring it out. Also, I call Christopher Nolan a smart-ass cheat, and I mean that endearingly. Lastly, for now, I explain why my grandfather crush on Robert Duvall should be yours in a review of his latest film Get Low.
Tagged: Christopher Nolan, film, Get Low, Inception, Robert Duvall
Tagged: music, record player, records