Cynthia Hawkins
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Goodnight Alice

Posted on April 3, 2011

I have a new nonfiction piece up at Prick of the Spindle, where I will also, after this, have the honor of serving as the new Managing Fiction Editor. This story is the reason my dear friends no longer want to travel with me (even though I’ve changed their names).

Here’s Hannah and I riding the Perfect Storm wave on a whale-watching boat, as described in “Goodnight Alice”:

whale watching

And here’s a little sample for you:

As we rode west toward Monterey I reached over the passenger seat from the back and angled a cell phone over Katherine’s left breast. “Can you see what you’re doing?” she asked as she worked the breast pump that wheezed with each outward draw of its handle.

Hooo-pah , went the pump. “Yes, I can see what I’m doing,” I said, and then, “It sounds like you’re breast-feeding Darth Vader.” My nine-year-old, Hannah clapped her hand to her face and snorted a laugh.

Jen drove. Katherine pumped. Adam worked pistachios out of their shells in the back seat near me. Hannah sat scrunched between us. I snapped a phone photo of Katherine’s left breast with her nipple stretched beyond recognition into the machinery. Hours ago her husband had deemed this, her breast wrung out by a breast pump, a sight he couldn’t unsee. Minutes ago he’d sent a picture of their three-month-old son nestled in a bouncy seat next to a bottle of Rolling Rock with a message that read something like: “Enjoy your day away with your friends, mom. Dad and I are doing just fine.” The picture I took was her retaliation.

You can read the rest right here.

Categories: Creative Non-Fiction

The Mosaic Thief

Posted on March 18, 2011

When he first handed me the cleaned-out coffee can with all of my pieces inside I bit down on one like a prospector testing gold. The feel of Scrabble tiles without the letters, the heft of bone, each one a variant shade of beige. My tongue assessed the fine grit of something vaguely tasting of shoe sole.

“Don’t eat it!” Jim said.

“I’m not eating it.” It left the tang of worn leather on my lips, and then I set the square back down.

Read the rest of my new and strange little tale at the Used Furniture Review right here.

Categories: Fiction

Emilio’s Brother

Posted on March 9, 2011

EB SheenEveryone’s writing about Charlie Sheen.  I didn’t want to write about Charlie Sheen.  So I wrote about Emilio’s brother instead.  You know, that one-dimensional guy who barely registers in films like Red Dawn and Young Guns.  But this is a good thing, you see, because I don’t think I could watch Charlie Sheen in anything anymore, but Emilio’s brother is a-okay:  READ IT HERE.

Categories: On Movies

Tagged: Charlie Sheen, Emilio Estevez, film, Lucas, Platoon, Red Dawn, Young Guns

Hoops

Posted on February 16, 2011

A little something new from a longer work in progress, now at Fictionaut:

 

Backs in the grass, legs straight, bare feet resting at angles, Rachel and I, both of us seven, looked up through the oak limbs that made black lightning cracks across a blinding blue sky.  Three hula hoops sat trapped in the trees’ sprawled grasp.  I crossed my hands over my chest, feeling my voice buzz there when I said, “That one’s important.”  I jutted a chin toward the pink hula hoop, bright pink with stripes, the one suspended furthest out on the limbs.  One pink, one metallic green, one the color of a penny with silver glints.  

“Why’s that one important?” Rachel asked, a dismissive chortling in her throat at the end of it.  Her head shifted in the grass, her pale gaze angling for me.  She made a longer line in the grass than I did.  Her arms could spread out wider.  Her fingernails scratched at the dried ground along the roots.  “Why’s that one so important?”

“Because.  That’s the last one you go through before you’re on another planet.”  We thought if we stared hard enough, we could launch ourselves through the hoops and end up somewhere else.  But it had to be through one and then the next.  I’d explained this already, but Rachel was digging at the ground and staring me down instead of the hoops.  Read more here.

Categories: Fiction

New at TNB: We Can Dance if We Want To

Posted on February 8, 2011

Jerry GoldsmithI sat near the back with a program folded in my joined hands as composer Jerry Goldsmith took his position before the symphony to a polite flutter of applause. I wore the same dress I’d wear months later to my high school graduation. Ruffles on the cap sleeves, tiny cloth-covered buttons, narrow all the way down. An idea of adulthood I’d squeezed into too soon. Most likely I hadn’t told my friends I was here, but I would be clearing a special place amongst all the rock-concert ticket stubs in my scrapbook to add this one.

I’ve always had a thing for instrumental scores. My little sister and I used to sit in front of the television as our cassette player recorded opening themes straining through the little grate of speakers. As soon as the “stop” button clacked under my fingertip, we’d plan our accompanying dance routine. At our cousins’ house, we’d act out impromptu plays to Hatari’s “Baby Elephant Walk” or “Moon River” from Breakfast at Tiffany’s. I knew the Somewhere in Time pieces so well my fingers could tap them out on a tabletop. In my mind, I was a virtuoso on piano. In reality, I plunked through selections from The Sting like someone struggling against a current. 

But it wasn’t until Goldsmith’s white hair bounced in and out of his shirt collar in sync with the rhythm of his hands in a blur as Patton played that I considered the composer of a score instead of merely its respective film. It wasn’t until then that I made a point of learning who was who. Now when the names of the likes of Rachel Portman, James Newton Howard, or Michael Giachhino are read on Oscar night I pay attention with a restrained fervor befitting a narrow, button-up dress.

And the nominees are ….

Read more, including reviews of this years’ nominations for best original score, right here.

Categories: Uncategorized

Black Swan: Mainstream Indie Film?

Posted on January 27, 2011

In celebration of its recent Oscar nominations, The Nervous Breakdown Associate Arts and Culture Editor Richard Cox and I take a closer look at Black Swan and ask the question:  Can dark, artistic movies regularly overcome box-office staples like Little Fockers in Black Swan’s wake?

Categories: On Movies

Tagged: Academy Awards, Black Swan

I can answer questions

Posted on January 21, 2011

Proof at the always fabulous Stymie Magazine.

Categories: Uncategorized

Tagged: interview

Not Your Father’s Westerns … Okay, Maybe One of Them Is

Posted on January 6, 2011

This one starts with a review of True Grit and ends with a short list of the best recent Westerns.

Although I like the way Joel and Ethan Coen try to circumvent the scandal of standing toe to toe with John Wayne’s ghost (might as well be Jesus) by emphasizing that their True Grit isn’t a remake but a literary adaptation of the Charles Portis novel, I’d like to take a crack at measuring the Coens’ 2010 effort against the 1969 True Grit anyway.

Ahem.

Here’s the big difference. The most riveting character in the 1969 version is John Wayne while the most riveting character in the 2010 version is Rooster Cogburn (played by Jeff Bridges). The Dude is a better actor than The Duke. There. I said it.

Read more here at The Nervous Breakdown.

Categories: On Movies

Tagged: Ethan Coen, Jeff Bridges, Joel Coen, John Wayne, movie review, True Grit

I can read aloud and other news

Posted on December 28, 2010

A few newish items to announce before they become oldish.  First up, at the Our Stories blog I read the short story that was a runner up in their 2009 Emerging Writers contest and currently available in the Best of Our Stories anthology.  Then at The Nervous Breakdown I discuss the recent smattering of sequels to ’80s action films with Simon Smithson, followed by a piece on Tron: Legacy with fellow sci-fi girl geek Gloria Harrison (surprise! we liked it).

Categories: Uncategorized

Interview with D.R. Haney

Posted on December 14, 2010

My interview with author, actor, and screenwriter D. R. Haney regarding his new book Subversia is now up at the San Antonio Current (read it here).

DRH_scan_NYroof_C
Categories: Uncategorized

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