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	<title>Cynthia Hawkins</title>
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		<title>Black Swan: Mainstream Indie Film?</title>
		<link>https://cynthiahawkins.net/blog1/2011/01/27/black-swan-mainstream-indie-film/</link>
		<comments>https://cynthiahawkins.net/blog1/2011/01/27/black-swan-mainstream-indie-film/#comments</comments>
		<pubDate>Thu, 27 Jan 2011 13:33:31 +0000</pubDate>
		<dc:creator><![CDATA[Cynthia Hawkins]]></dc:creator>
				<category><![CDATA[On Movies]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Black Swan]]></category>

		<guid isPermaLink="false">http://cynthiahawkins.net/blog1/?p=273</guid>
		<description><![CDATA[In celebration of its recent Oscar nominations, The Nervous Breakdown Associate Arts and Culture Editor Richard Cox and I take a closer look at Black Swan and ask the question:  Can dark, artistic movies regularly overcome box-office staples like Little Fockers in Black Swan&#8217;s wake?]]></description>
				<content:encoded><![CDATA[<div class='page columnize'><p><img class="alignleft" src="http://www.thenervousbreakdown.com/wp-content/uploads/2011/01/black_swan1.jpg" alt="" width="217" height="129" />In celebration of its recent Oscar nominations, <a href="http://www.thenervousbreakdown.com/">The Nervous Breakdown </a>Associate Arts and Culture Editor Richard Cox and I <a href="http://www.thenervousbreakdown.com/rcox/2011/01/black-swan-mainstream-indie-film/">take a closer look </a>at <em>Black Swan </em>and ask the question:  Can dark, artistic movies regularly overcome box-office staples like <em>Little Fockers </em>in <em>Black Swan&#8217;s</em> wake?</p>
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